1941 | Born/Né Peterborough UK |
1960-64 | Royal College of Art |
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SELECTED SOLO EXHIBITIONS / EXPOSITIONS PERSONNELLES |
1965/7/9 | Grabowski Gallery London |
1974 | Galerie Palette Zurich |
| London Arts Gallery |
1978 | Electric Gallery Toronto |
1981 | Angela Flowers Gallery London |
1984 | Inner City Paintings Odette Gilbert Gallery London |
1986 | City:Two Views Barbican Centre Concourse Gallery London |
1991 | Paintings of London and Tuscany Gallery 10 London |
1993 | Westway Barbican Centre London |
1997 | Urban Mirror Royal National Theatre London |
1998 | The Playground Series The BBC London |
2002 | Play Royal National Theatre London |
2003 | Galerie La Geste Uzès |
| The Biscuit Factory Newcastle |
2005 | Soleil sur la place Galerie de l'Ancien Courrier Montpellier, France |
2006 | Sur l'eau Galerie de l'Ancien Courrier Montpellier, France |
| Recent Paintings Light Gallery London |
2007 | Peinture récente galerie Dautcourt Bruxelles |
| Fontaines Galerie de l'Ancien Courrier Montpellier France |
2008 | Réalisme Urbain Galerie Etienne de Causans Paris France |
| Galerie Betti Toulouse |
| Galerie Ducastel Avignon |
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SELECTED GROUP EXHIBITIONS / EXPOSITIONS COLLECTIVES |
1967 | Ornamentale Tendenzen, Haus am Waldsee Berlin-Zehlendorf, Schloß Morsbroich Städtisches Museum Leverkusen, Kunstverein Wolfsburg |
1970 | Play Orbit, I.C.A. London |
1975/6 | International Art Fairs Basel Cologne Dusseldorf (Electric Gallery Toronto) |
1982 | Images for Today, touring UK |
1984 | International Art Fair, London (Odette Gilbert Gallery) |
1985 | Patrons of the New Art selection, Warwick Arts Trust London |
1984/5/6 | Contemporary Art Society, Smiths Galleries London |
1984 | Monoprints, Flowers East London |
1990 | The Subjective City, Cleveland Gallery Middlesbrough. Tour included the Ikon Gallery Birmingham and Barbican Arts Centre London, (curated & participated) |
1991 | Art Fairs at BDC Islington & Art London 91 Olympia |
1992 | Contemporary Colourists Gallery 10 London and Flying Colours Gallery Edinburgh (curated & participated) |
1993 | Witnesses & Dreamers Tullie House Carlisle touring to the Museum of London and six other venues, (curated & participated) |
1996 | The Motor Show, Herbert Art Gallery and Museum Coventry touring to Plymouth City Art Gallery, Stockport Art Gallery, (curated & participated) |
1996 | City Journeys, London Arts Cafe Baxter Gallery London |
1997 | Art 97, London Art Fair (Montpelier SandelsonGalery) |
1998 | The Motor Show, Montpelier Sandelson London |
| Universal Themes, Drumcroon Art Gallery Wigan |
| Twin Images, Fine Art Society London |
1999 | Print Biennale, Whiteleys Atrium Gallery London |
2000/1 | Hunting Prizes Royal College of Art London |
2000-2005 | Affordable Art Fairs London |
2000 | The Discerning Eye Mall Galleries London |
2007 | STONE . PLATE . GREASE . WATER International Contemporary Lithography Museum of Modern Art, Wales and tour |
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PRIZES, AWARDS |
1982 | Images for Today - Commendation and Purchase |
1986 | Exhibition Awards- North West Arts and Barbican Centre |
1992 | Department of Transport National Art Competition- purchase prize |
1992 | ABSA award (BSIS) for Westway exhibition |
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COMMISSIONS |
1970-72 | Paintings as book jackets for Fontana Modern Masters |
1990 | Apron: Four Paintings for B.A.A. Gatwick Airport |
1993 | Painting for Art on the Undergound - London Transport |
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WORK IN PUBLIC AND CORPORATE COLLECTIONS |
Contemporary Art Society, Government Art Collection, The City of London, The Museum of London, York Art Gallery, Middlesbrough Art Gallery, John Hopkins University Baltimore, Coopers and Lybrand, Unilever, J.Sainsbury, Electra Kingsway, Banque Paribas, NatWest Bank, St Peter’s College Oxford, G Maunsell & Partners, (civil engineering), The Department of Transport, London Underground Ltd, British Airports Authority, (Gatwick Airport), Hertfordshire County Council, Bedfordshire County Council, Paintings in Hospitals, People in Business, the John Lewis Partnership, the Saskatchewan Arts Board Canada, Muzeum Sztuki. Lodz Poland, University of Wales, Aberystwyth |
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PRINCIPAL REVIEWS/ARTICLES/BOOKS |
| Norbert Lynton Guardian August 1965 |
| Guy Brett Times August 1965 |
| John Dunbar Scotsman August 1965 |
| Georgina Oliver Connoisseur 1974 |
| William Packer Financial Times October 1984 |
| David Lee Arts Review July 1986 |
| Educating for Art by Rod Taylor published by Longmans 1986 |
| Nicholas Usherwood Galleries March 1991 |
| Jose Manser The Gatwick Commission Designers Journal July 1991 |
| Nicholas Usherwood Feature, The Artist Magazine December 1991 |
| Rada Petrovic Feature, Artists and Illustrators August 1994 |
| Will Self The Westway Evening Standard Magazine May 1993 |
| Will Self Junk Mail Bloomsbury Press, London, 1995 |
| Modern Paintings in the Guildhall Art Gallery Collection (City of London) 1995 |
| London In Paint oil paintings in the Museum of London Collection |
| by Mireille Galinou and John Hayes published by the Museum of London 1997 |
| Midi Libre 3 articles 2002-2005 |
| Pratique des Arts feature August 2007 |
SOLO SHOW CATALOGUE INTRODUCTIONS |
| Professor Sir Ernst Gombrich for J.P. Lehmans 1974 |
| Mary Rose Beaumont for Rochdale Art Gallery 1983 |
| and Odette Gilbert Gallery 1984 |
| William Packer for Paintings of London and Tuscany Gallery 10 1991 |
| Giles Auty for Westway (Harlow Playhouse and Barbican) 1993 |
| Mireille Galinou for Urban Mirror at the National Theatre London 1997 |
| Nicholas Usherwood for Play at the Royal National Theatre 2002 |
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ARTIST’S CATALOGUE ESSAYS / STATEMENTS / INTERVIEWS |
| Inner City for Oriel Gallery Theatr Clwyd 1989 |
| The Subjective City 1990 for the Cleveland Gallery |
| Paintings of London and Tuscany 1991 for Gallery 10 London |
| Contemporary Colourists for Gallery 10 and Flying Colours Gallery |
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BROADCASTS |
| Radio Cleveland January 1990 re Subjective City |
| Kaleidoscope interviewed re Subjective City by Natalie Wheam, BBC Radio 4 June 1991 |
| Radio Cumbria re Witnesses and Dreamers May 1993 |
| London News Direct May 1997 re Urban Mirror |
| Countdown BBC Radio 4 interview with Piers Plowright July 1998 |
